ne(one)piphany

When Binh Danh prints pictures on leaves, something inexplicable happens. His small, green canvases expand beyond measure with both the seen and the unseen. The serenity of the Buddha on a circular nasturtium suggests a primordial, benevolent world; armed soldiers in camouflage, crouched in calla lily foliage, appear to be both predator and prey; and a young Vietnamese boy, held in the fingered palm of a philodendron, aches with human vulnerability.